Spire Live @ Spitalfields Festival | London, 21st June 2012
The 13th Spire will take place at St. Botolphs without Aldgate on Thursday 21st June 2012 as part of The Spitalfields Summer Festival
7.00pm-9.30pm (Installation by Marcus Davidson from 6.00pm)
Insight with Scott McMillan (The Liminal), Charles Matthews and Mike Harding
Performers:
Charles Matthews - organ & piano
John Beaumont - tenor
Marcus Davidson - organ, piano & tape
BJ Nilsen - electronics
Philip Jeck - turntables & samplers
and
The Eternal Chord
Programme to include:
Charles Camilleri - Sonata Semplice
JS Bach - Komm, Heiliger Geist
Ligeti - Harmonies
Diana Burrell - Lauds
Arvo Pärt - Pari Intervallo
Marcus Davidson - The Conscious Sky
Tickets: £12 unreserved/£5 Student tickets (further concessions available)
Series Tickets Offers: Discounts available when booking three or more concerts
From its earliest inception as the Hydraulis to the latest in organ technology, the organ has had incredible influence on the history of music and sound. Spire celebrates this ‘Emperor of Instruments’ with live performances for organ, electronics, piano and voice, contrasting digital and analogue to create a rich sonic journey unique to each performance location. See Spire in Spitalfields for the first time, visiting St Botolph without Aldgate and its newly restored Harris organ.
The 12th Spire took place on 5th February 2012 in Berlin
CTM 12, Passionskirche, Berlin
Marcus Davidson
Eleh
Hildur Gudnadottir
Charles Matthews
Jana Winderen
The Eternal Chord
Organology
Programme
1930-2330 (approx)
Giacinto Scelsi: In Nomine Lucis (Charles Matthews, organ)
Jana Winderen (solo)
Olivier Messiaen: Chants d'Oiseaux (Charles Matthews, organ)
Interval (short)
Marcus Davidson: Sacred Space (Marcus Davidson, laptop/Charles Matthews, organ)
Gyorgy Ligeti: Coulée (Charles Matthews, organ)
Hildur Gudnadottir (solo)
Frank Martin:Passacaille (Charles Matthews, organ)
Interval (long)
Charles Camilleri: Lento, (from Sonata semplice) (Charles Matthews, piano)
Marcus Davidson: The Passing (Marcus Davidson, organ and tape)
Stephen Montague: Paramell III (Charles Matthews, piano)
The Eternal Chord (Anon, organ)
Interval (short)
Eleh (solo)
Arvo Pärt: Pari Intervallo (Charles Matthews, organ)
fin
The 11th Spire took place on 21st October 2011 in Lincoln Cathedral
Frequency Festival 2011
21st –29th October
Lincoln
Philip Jeck
Charles Matthews
Charles Matthews & Mike Harding - The Eternal Chord
BJNilsen
The Spire Ensemble - Organogram
with John Beaumont (Tenor)
You can view the full programme here
Tickets:
www.lincolnminstershop.com
Tickets can be bought over the phone on 01522 561644
Or from the shop itself if they happen to be in Lincoln...
Spire Live - Fundamentalis | Autofact 12/Touch Tone 28 - Back in stock
Spire Live - Fundamentalis
Autofact FACT 12/Touch Tone 28
Double LP Vinyl only
Art Direction & Design by Jon Wozencroft
This release is now available again from the TouchShop here
Continue reading: Spire Live - Fundamentalis | Autofact 12/Touch Tone 28 - Back in stock
Spire 4 - Pietro Riparbelli "4 Churches"
320kbps MP3 - 4 tracks - 42:09
Download-only
Mastered by Giuseppe Verticchio
Track listing and notes:
1. The Dome, Orvieto
I was in Orvieto for 3 days and recorded some sound during the morning, trying to avoid the tourists. I always try to find the cathedral without too many people but at the same time there must been some, because their sounds allow us to perceive the reverb of the space.
Moreover, I’ve recorded voices from a choir during a celebration and I’ve utilised a sample of the organ of the cathedrals. The Dome of Orvieto is a fantastic gothic church. Orvieto is an Etruscan city and it’s on a hill in which caves were excavated by the Etruscans. During the Second World War the Nazis didn’t bomb Orvieto because of the amazing cathedral that they wanted to take back to Germany!
2. The Basilica, Assisi
I was for one week and recorded sounds within the interior of the Basilica where the relics of Saint Francis are kept. It is a really dark place where there are a lot of passages with stairs to reach the crypt. There are many frescoes by Giotto - really wonderful. It is a place of meditation and there is an incredible silence, although you have to find the Basilica without tourists early in the morning. I was seated in front of the stone of the relics for a long time each day. There are a lot of guards that control everything - especially people like me who were there everyday. At the end of the track you can hear a chant by nuns recorded from within the Basilica. They were behind a window and it was a fantastic experience.
3. The Cathedral of Saint Germain, Paris
This was the first Cathedral of Paris built around 500 A.D.
I found within this cathedral a crazy English woman that was telling stories and laughing to herself. I stayed close to her and she thought I wanted to kill her; so she attacked and punched me. I’ve recorded organs and chanting voices. The distorted sounds are pitched organs.
4. Notre Dame, Paris
This is the leasst organised composition because it is almost impossible to recorded the reverb of this place because of the tourist that are there all the day at every hour. But I’ve managed to record an organ session and a mass.
You can preview an extract from this release in the TouchShop.
Buy 4 Churches in the TouchShop
http://www.pt-r.com/
You can read about the artist on his website
Spire 3 - Daniel Menche "Hover"
320kbps MP3 - 2 tracks - 27:36
Download-only
2 tracks - 30 piece teenage choir and organ
Track Listing:
1. Hover 19:29
2. As Is 8:07
As part of the Spire project, Touch is pleased to announce this download-only release by Daniel Menche.
"I work at a high school library here in Portland, Oregon. Once a week there's a choir class and occasionally I will poke my head in to hear the fantastic sounds of the kids singing. The singing can be a bit rusty mainly due to the shyness factor in their young voices and the reluctant learning of the music notation from the choir teacher. I really liked hearing that rough-awkward singing from the kids and it remind me of myself being in a choir as a little kid and remembering how much I HATED IT! Mainly because I didn't understand music notation... nor did I want to and also I was incredibly shy just like these kids.
Well anyways I'm always thinking of ways to get young folks to have fun with sound and such and also I had an idea to use these fine choir students for a recording utilizing their awkward singing sounds. My strategy for the kids was vowels because every kid knows vowels! A-E-I-O-U and just sing those letters as long as possible is what I will instruct the kids to do. I mentioned to the choir teacher that I will be coming in and taking ten minutes of the student’s time to record them for a recorded composition and the teacher approved with this idea but she was also very confused. How can I be a known recording musician and not know about music notation such as 'flat C or sharp D' or whatever that jargon is. I told them... "Don't worry... kids will have fun and it'll sound fantastic." And so I barged into the classroom and hit record on my little recorder and began the vowel singing game with the kids. The sheer state of confusion on their young faces was rather beautiful and the singing was fantastic to my ears. I noticed immediately that they couldn’t get the low sounds very well because well… they’re kids and baritone sounds just aren’t in the picture yet for them. So I utilized a Hammond organ for the bass sounds for the final piece of music titled “HOVER”.
Included is the raw unedited "as is" recording document of myself having fun with the kids and getting sounds out of them for this "HOVER" recording. This raw recording has a charm to it of the kids being confused and having some fun. Teenage cathartic-ism to say the least. The look on the choir teacher’s face when I had everyone screaming in different vowels was priceless. I can see her facial expression screaming at me "Music notation blasphemy!!!"... I respond back "Yep, sure is and now look at all the smiles on our kids faces."
You can preview an extract from this release in the TouchShop.
Buy Hover in the TouchShop
danielmenche.blogspot.com/
Spire 2 - Enrico Coniglio "Songs from Ruined Days"
320kbps MP3 - 1 track - 45:14
Download-only; a TouchShop exclusive.
Track listing:
1. Songs from Ruined Days
As part of the Spire project, Touch is pleased to announce this download-only release by Italian artist Enrico Coniglio. You can preview an extract from this release in the TouchShop.
Enrico Coniglio is a Venetian musician who focuses his musical research on the representation of the contemporary landscapes. In relation to his studies in urban planning (University IUAV of Venice), his interest is directed towards the loss of identity of places and the uncertainty of the evolution of the urban territory.
If his music comes mainly from the ambient genre, mixing a droning guitar with field recordings and digital manipulation, on the other hand he’s just interested to document the landscape, meaning to build his personal catalogue of soundscapes, with a particular reference to the Venetian lagoon.
Over the last year he has collaborated with various musicians including Joachim Roedelius, Arve Henriksen, Oophoi and others, and he has releases and podcasts with Psychonavigation, Glacial Movements, Cronica electronica and Laverna net. You can hear a previous release “Sapientumsuperacquis” on Touch Radio.
The present release is a long-drone track mostly based on recordings made in Porto Marghera, a big industrial coastal area on the mainland of Venice, Italy (Winter 2009), now largely on disposal and afflicted by a severe economic and environmental crisis. Part of this work was originally used for a sound work in the “Antares” pavilion of VEGA Park (VEnice GAteway for science and technology) for a photography exhibition as a part of the project "Le nuove vie di Porto Marghera". Other field recordings were made in Vienna, Austria (December 2009), in an attempt to explore the sacral spaces of the city. 'Song from ruined days' is a mix of industrial and liturgical soundscape, a brief journey in the space of a full desolation.
"Enrico Coniglio is among the best kept secrets of the Italian ambient scene"
(Roberto Mandolini, Rockerilla)
"He deals in a warm, soothing blend of guitar drones, field recordings and digital post-production"
(Ewan Burke, Cyclic Defrost Magazine)
"Coniglio's atmospheres, meanwhile, take turns at being ethereal and lightflooded, obscured by clouds, ominous and abstract"
(Tobias Fischer, Tokafi)
"Enrico Coniglio creates a series of absorbing ambiences that have a moody enigmatic quality about them - dark, deep pools of sound morphing crackling in places with electrical damage"
(Morpheus Music Reviews).
"Coniglio's multi-varied collection provides a rich and oft-surprising listening experience"
(Textura)
"This is a must have for ambient DJs!"
(Mixmaster Morris)
Buy Songs from Ruined Days in the TouchShop
www.enricoconiglio.com
Chicago | Photo by Dave Knapik
The Eternal Chord | Live in Den Haag
The Eternal Chord makes its second outing at Today's Art festival in Den Haag on this organ at Den Haag's Lutherse Church.
The Eternal Chord will this time be performed live by Hildur Gudnadottir & Mike Harding.
The 10th Spire took place in Riga on May 23rd 2009
Sound Forest Festival
St. Saviour's Anglican Church, Riga, Latvia
Philip Jeck
Jana Winderen
Charles Matthews
Hildur Gudnadóttir & Elín Hansdóttir
Charles Matthews & Mike Harding - The Eternal Chord
The Spire Ensemble - Organography
Photos can be seen here
A full programme of the festival can be downloaded here