The Eternal Chord
The Friedenskirche, a church in Eupen, hosted to the “Touch Presents…” program, featuring two organ concerts by Claire M. Singer and The Eternal Chord and a live performance by Philip Jeck. Claire M. Singer’s 2016 debut Solas spans 14 years of her work in acoustic and electronic composition. Together with Mike Harding, she is also a member of The Eternal Chord, a project that focuses on the sonic power of the organ. Philip Jeck started working with record players and electronic instrumentation in the 80s and is renowned for his soundtracks, music for theatre and dance companies and solo concert work.
There is no “correct” way to play the organ. Of course, there are strong and long traditions of how it should be played and by whom, but in the realm of time these rules count for nothing. The instrument has the largest frequency range of any acoustic instrument, and this unique aspect grants great freedom to the players. ALL STOPS OUT!!!
Based on an idea by Mike Harding which grew out of the Spire project, any number of players from two upwards can perform this majestic piece. Hildur Gudnadottir, Anna von Hausswolff, Maia Urstad, Marcus Davidson, Charles Matthews and others have all played alongside to offer various renditions of The Eternal Chord.