In its ninth year, Borderline, the most adventurous music festival in Athens, returns more timely than ever. The Onassis Stegi, in collaboration with the Irtijal Festival of experimental music in Beirut, brings us the most contemporary and avant-garde sounds of the international musical stage, in concerts, dj sets, screenings, and talks.
German Evangelical Church, Sina 66, Athens
There is no “correct” way to play the organ. Of course, there are strong and long traditions of how it should be played and by whom, but in the realm of time these rules count for nothing. The organ has the greatest frequency range of any acoustic instrument, and this unique aspect grants great freedom to the players. ALL STOPS OUT!!!
CD – 4 tracks – 78:40
Release date: tba
4. Semper Liber
Performed on the 1893 Schlag & Söhne organ at Johanneskirken, Bergen; the 1967 Karl Ludwig Schuke organ at Passionskirche, Berlin; the Peter Bares organ, inaugurated in 2004, at Kunststation St Peter, Cologne; the 1885 ‘Father’ Henry Willis organ at Lincoln Cathedral; the 1877 ‘Father’ Henry Willis organ at Union Chapel, London; the Rieger organ at St. Stephan’s Church, Mautern & the 1897 Johnson & Son organ at St. Saviour’s Anglican Church, Riga between 2009 and 2016
The art historian and author Sydney Russell writes: “These photographs were taken in 1976 in Brazil. We eventually obtained minimum radio carbon datings for levels covering the paintings from approximately 3750-2500 BCE. They originate from the rock shelter sites of Sucupira, (Lagoa Santa) and Lapa do Cipo (Santana do Riacho), near Minas Gerais and Quadrillas (Montalvania), Bahia. Please refer to the website for more information.”
Artwork by Philip Marshall
Compiled and edited by Mike Harding
Mixed at the Völlhaus
Mastered by Mark Van Hoen
Photography by Sydney Russell
P&C 2018 Spire
Published by Field Music
Premiering exclusively via The Wire, the documentary looks at the use of the organ in contemporary music
The Organ: A Modern Classic aims to highlights the various ways in which artists such as Squarepusher, Anna Von Hausswolff and Oneohtrix Point Never are adapting the instrument for contemporary music.
Created by music, art and culture platform Cone Magazine, the documentary “explores the social and political barriers that artists and composers may face when trying to work with the organ, and delves deep into the anatomy of the instrument”.
The Organ features contributions from award winning composer Craig Armstrong, organist Jamie McVinnie, the London Contemporary Orchestra, composer/sound artist Bill Thompson, and founder of the Organ Reframed festival and composer Claire M Singer.
The Friedenskirche, a church in Eupen, hosted to the “Touch Presents…” program, featuring two organ concerts by Claire M. Singer and The Eternal Chord and a live performance by Philip Jeck. Claire M. Singer’s 2016 debut Solas spans 14 years of her work in acoustic and electronic composition. Together with Mike Harding, she is also a member of The Eternal Chord, a project that focuses on the sonic power of the organ. Philip Jeck started working with record players and electronic instrumentation in the 80s and is renowned for his soundtracks, music for theatre and dance companies and solo concert work.
Tonight at 10pm London time… broadcasting recordings made at Union Chapel on 8th October 2016, featuring Philip Jeck, Simon Scott, Charles Matthews, Claire M Singer & The Eternal Chord
The 17th Spire took place at Union Chapel, London on 8th October 2016 as part of the ORGAN reframed Festival (7-9 October 2016)
Union Chapel, London
700pm – 1030pm Saturday October 8th 2016
Spire: organ works past present & future performed by
Charles Matthews (organ)
Philip Jeck (turntables)
Fennesz (organ & electronics)
Simon Scott (Electronics)
John Beaumont (Tenor)
Claire M Singer (Organ & electronics)
The Eternal Chord (Organ)
The 16th Spire took place on 26th February 2016 in The Unitarian Church, Cambridge
The Unitarian Church
5 Emmanuel Road
This concert was recorded and the entry fee guarantees you a free copy of some of the recordings [wav files]. Which tracks we make available will depend on the quality and suitability of the recordings, of course…
More info and tickets and for full progamme click “continue reading…” below
Live 6.xi.15 Kunststation St Peter, Jabachstr. 1, Köln, Germany. Recorded by Achim Mohné. Peformers are Claire M Singer & Mike Harding. With thanks to Georg Dietzler
Recorded on 1st November 2013 as part of Bergen Kirkeautunnale, Norway
Featuring BJNilsen & John Beaumont’s Black Death, a new project using voice (tenor) and electronics; Charles Matthews’s repertoire includes performances of organ pieces by Arvo Pärt, Giacinto Scelsi and Johan Sebastian Bach; Marcus Davidson’s Ananta is released for the first time, and Spire regulars The Eternal Chord and The Spire Ensemble also perform.
This cassette will be released in July 2014
A1: Charles Matthews plays JS Bach “Komm, Heiliger Geist”, A2: Charles Matthews plays Giacinto Scelsi “In Nomine Lucis”, A3. BJNilsen and John Beaumont “Black Death”
B1: The Eternal Chord “The Eternal Chord (Live)”, B2: Marcus Davidson “Ananta”, B3: The Spire Ensemble “Live In Bergen”, B4: Charles Matthews plays Arvo Pärt “Pari Intervallo”
Recorded on 1.11.13 as part of Bergen Kirkeautunnale 2013, with thanks to Kjetil Almenning and Møyfrid Fuglestad. Published by Touch Music [MCPS] except – A2: Editions Salabert/G Ricordi & Co.; B4: Universal Edition.
Illustration – Art I Cho.
This cassette is an aspiring product of The Tapeworm – “give the peasants champagne and they still want dirty water” TTW#70, copyright 2014 The Tapeworm.
This cassette item is now sold out
2 tracks – FLAC Audio download – 18:31
Track listing and notes:
1. The Passing 9:14
Recorded at St. Stephan’s Church, Mautern, Austria as part of Spire live at The Kontraste Festival, Krems, 11th October 2013.
Marcus Davidson – Organ & Electronics
EVP samples by Raymond Cass from “The Ghost Orchid – An Introduction to EVP” [PARC CD1]
NASA recording of the winds of Saturn from The Voyager Spacecraft
Natural VLF Radio Phenomena of the Magnetosphere and space weather recording by S.P. McGreevy
With thanks to Charles Matthews
2. Sacred Space 9:17
Recorded at PassionsKirche, Berlin, Germany as part of CTM12 Festival, 5th February 2012
Marcus Davidson – Electronics
Charles Matthews – Organ
Part one: Notations from the NASA recordings of the Rings of Uranus
Part two: The Sun dawning over the dark rings of Uranus
320kbps MP3 – 4 tracks – 42:09
Mastered by Giuseppe Verticchio
320kbps MP3 – 2 tracks – 27:36
2 tracks – 30 piece teenage choir and organ
1. Hover 19:29
2. As Is 8:07
As part of the Spire project, Touch is pleased to announce this download-only release by
“I work at a high school library here in Portland, Oregon. Once a week there’s a choir class and occasionally I will poke my head in to hear the fantastic sounds of the kids singing. The singing can be a bit rusty mainly due to the shyness factor in their young voices and the reluctant learning of the music notation from the choir teacher. I really liked hearing that rough-awkward singing from the kids and it remind me of myself being in a choir as a little kid and remembering how much I HATED IT! Mainly because I didn’t understand music notation… nor did I want to and also I was incredibly shy just like these kids.
Well anyways I’m always thinking of ways to get young folks to have fun with sound and such and also I had an idea to use these fine choir students for a recording utilizing their awkward singing sounds. My strategy for the kids was vowels because every kid knows vowels! A-E-I-O-U and just sing those letters as long as possible is what I will instruct the kids to do. I mentioned to the choir teacher that I will be coming in and taking ten minutes of the student’s time to record them for a recorded composition and the teacher approved with this idea but she was also very confused. How can I be a known recording musician and not know about music notation such as ‘flat C or sharp D’ or whatever that jargon is. I told them… “Don’t worry… kids will have fun and it’ll sound fantastic.” And so I barged into the classroom and hit record on my little recorder and began the vowel singing game with the kids. The sheer state of confusion on their young faces was rather beautiful and the singing was fantastic to my ears. I noticed immediately that they couldn’t get the low sounds very well because well… they’re kids and baritone sounds just aren’t in the picture yet for them. So I utilized a Hammond organ for the bass sounds for the final piece of music titled “HOVER”.
Included is the raw unedited “as is” recording document of myself having fun with the kids and getting sounds out of them for this “HOVER” recording. This raw recording has a charm to it of the kids being confused and having some fun. Teenage cathartic-ism to say the least. The look on the choir teacher’s face when I had everyone screaming in different vowels was priceless. I can see her facial expression screaming at me “Music notation blasphemy!!!”… I respond back “Yep, sure is and now look at all the smiles on our kids faces.”
320kbps MP3 – 1 track – 45:14
Download-only; a TouchShop exclusive.
1. Songs from Ruined Days
As part of the Spire project, Touch is pleased to announce this download-only release by Italian artist Enrico Coniglio. You can preview an extract from this release in the
Enrico Coniglio is a Venetian musician who focuses his musical research on the representation of the contemporary landscapes. In relation to his studies in urban planning (University IUAV of Venice), his interest is directed towards the loss of identity of places and the uncertainty of the evolution of the urban territory. If his music comes mainly from the ambient genre, mixing a droning guitar with field recordings and digital manipulation, on the other hand he’s just interested to document the landscape, meaning to build his personal catalogue of soundscapes, with a particular reference to the Venetian lagoon.
Over the last year he has collaborated with various musicians including Joachim Roedelius, Arve Henriksen, Oophoi and others, and he has releases and podcasts with Psychonavigation, Glacial Movements, Cronica electronica and Laverna net. You can hear a previous release “Sapientumsuperacquis” on Touch Radio.
The present release is a long-drone track mostly based on recordings made in Porto Marghera, a big industrial coastal area on the mainland of Venice, Italy (Winter 2009), now largely on disposal and afflicted by a severe economic and environmental crisis. Part of this work was originally used for a sound work in the “Antares” pavilion of VEGA Park (VEnice GAteway for science and technology) for a photography exhibition as a part of the project “Le nuove vie di Porto Marghera”. Other field recordings were made in Vienna, Austria (December 2009), in an attempt to explore the sacral spaces of the city. ‘Song from ruined days’ is a mix of industrial and liturgical soundscape, a brief journey in the space of a full desolation.
“Enrico Coniglio is among the best kept secrets of the Italian ambient scene”
(Roberto Mandolini, Rockerilla)
“He deals in a warm, soothing blend of guitar drones, field recordings and digital post-production” (Ewan Burke, Cyclic Defrost Magazine)
“Coniglio’s atmospheres, meanwhile, take turns at being ethereal and lightflooded, obscured by clouds, ominous and abstract” (Tobias Fischer, Tokafi)
“Enrico Coniglio creates a series of absorbing ambiences that have a moody enigmatic quality about them – dark, deep pools of sound morphing crackling in places with electrical damage” (Morpheus Music Reviews).
“Coniglio’s multi-varied collection provides a rich and oft-surprising listening experience”
“This is a must have for ambient DJs!”
A3 print + digital download no longer available from the TouchShop
Features an image (depicted to the right) by Jon Wozencroft, output onto high quality heavyweight matte paper.
320 kpbs MP3, available only when purchasing the Spire print…
The Spire Ensemble – “Organology” 14:14
Recorded at Norheimsund Church, Norway during the Hardingtonar Festival, 21st June 2008. [2008 was the centenary of the birth of Geirr Tveitt, whose work was celebrated at this festival.]
Featured artists: Marcus Davidson – Grand Piano | Mike Harding – Conductor | Philip Jeck – Casio SK1 Keyboard | Charles Matthews – Organ BJNilsen – Electronics | Jana Winderen – Electronics