Spire 10 | Ted Reichman “Orgelwerke”

DL – 4 tracks – 39:38

Release date: Friday 20th January 2023

Available to order now

Track listing:

1. fond du lac
2. rondo
3. american dream
4. geisterorchester

Photography & design by Jon Wozencroft
Mastered by Simon Scott @ SPS

Orgelwerke began when composer Ted Reichman picked up a pile of rare organ vinyl from a library’s discard box. As he listened to this forgotten music late at night, he developed a process of transformation. He digitized them, turning them into loops and gestures, then reshaped them with tape, broken amplifiers and analogue echo boxes. It became something like a ritual, an exhumation of long-unheard music reanimated as glacial drones and ghostly symphonic movements — the sound of the cathedral transmuted into an enveloping shadow of pulsation, echo and glitch.

Ted Reichman composes electro-acoustic music, open-form pieces for improvising musicians, and film music. His long career in music goes back to his first recordings with Anthony Braxton in the early 1990s and his deep involvement in New York’s music community in the 2000’s. He was the original curator at Tonic on the Lower East Side of NYC, which became one of the world’s crucial venues for avant-garde music. He has made recordings for Tzadik, Skirl, and Tripticks Tapes, and produced and mixed albums for Wendy Eisenberg, Steven Long, Lina Tullgren/Alec Toku Whiting and many other experimental musicians. His film scores include Rick (with Bill Pullman and Sandra Oh), The Memory Thief, and the award winning documentaries Dear Mandela and Missing In Brooks County. He has been on the faculty of the Jazz Studies and Contemporary Musical Arts departments at the New England Conservatory of Music for over ten years, where he has developed a new curriculum on recording.


Recorded and mixed at Subtext Sound System
Thanks to Jason Coleman, Steve Long, Alec Toku Whiting, Tyler Gilmore and all at the MIT Radio Society

Spire 7.2 – Bis dat

Various Artists – Bis dat [Spire 7.2]
Digital only – 8 tracks – over 100 minutes of music!

Available to pre-order now on Bandcamp | theeternalchord.bandcamp.com/album/bis-dat
Release date 6th May 2022

Reviewed by Mat Smith of Further. here

Track listing:

1. Zachary Paul – Sunken Cathedral 13:52
2. Faith Coloccia – Voice lV Sarcode 15:47
3. BJNilsen – Pressurised 15:40
4. Alcibiades – Omicronology 10:40
5. Yenting Hsu – Summer whisper 4:38
6. Rhodri Davies – HAARP 31:53
7. strom|morts – Absolute Magnitude Hermeticism 9:37
8. The Eternal Chord – Omnia transeunt 5:51 *This track released with pre-order

Photo taken on July 11, 1989 by Daniel Blau at Cave No.15 along Kaaha-Halapepe trail, Kau, Hawaii, elevation 109m above sea level, 325 degree N to Hilina Pali outlook © Daniel Blau, Salzburg

Dedicated to Didier Séverin of strom|morts, who left us too early.

After ‘Mutatis mutandis’ [Spire 7.1, 2020], ‘Bis dat’, meaning ‘Give more’, features 7 exclusive new compositions, using source material from ‘Semper Liber’, the album from The Eternal Chord collective of musicians (or not…)… Immersive and compelling, challenging and seductive, ‘Bis dat’ expands the organ repertoire into new territory, earthly and unearthly, past and present.

Zachary Paul’s violin and electronics plunge into the deep and he reimagines a drowned world, the spire still resplendent as creatures take up their new home; Faith Coloccia (mammifer, SIGE) continues her voice explorations and takes us to the skies, seeking the thermals – beyond the planets, even – while BJNilsen rams home the power of the beast (the organ was above all an instrument of clerical authority), a blistering piece using organ samples from Henry Willis’s Union Chapel organ in London. Alcibiades (Jay Glass Dubs & venoztks) combine Balkanology with organ samples to create a haunting, swirling miasmic oracle, and Yen-Ting Hsu guides us to gentler pastures with ’Summer whisper’. But danger lurks therein – we know what’s coming and there are always storms close by – and Rhodri Davies reminds us you can’t tame the beast, merely accompany and marvel. His unaccompanied harp fought the sounds of building reconstruction at his location – we don’t control these things, merely adapt and struggle on. strom|morts (swiss post-metal veterans) present a rich, massive alpine and wise gloom of sonics. And to finish the journey, or more likely start it, The Eternal Chord’s ‘Omnia transeunt’ is impossible to pin down and grasp firmly where it is – and where it might go! Plucked from the ether and moulded into a tuneful (at times) trip into another atmosphere. Let’s Go!

Spire 7.1 – Mutatis mutandis

12 tracks – DL + pdf – 1:42:06

Available on Bandcamp 4th September 2020
Release date: 4th September 2020

Track listing:

1. Olivia Block – Flue 09:17
2. Marta De Pascalis – Alexandria 08:30
3. Richard Chartier – State 08:32
4. Faith Coloccia – Voice 1 Grapheme 07:55
5. Daniel Menche – Minimal 11:09
6. Jiyeon Kim – Organ Tapes 1 05:48
7. Philip Jeck – 75 bus 07:24
8. Dahra – Abadan (Perpetuum) 11:00
9. Orphax – Aeternus 12:54
10. Jiyeon Kim – Organ Tapes 2 06:40
11. Fennesz – Crystal Canyons 04:44
12. Faith Coloccia – Artifacts (bonus)

This album is released on Bandcamp Day; Touch will pay all receipts to the artists; any donations above that will go to support the label

featuring 12 exclusive new compositions, using source material from Semper Liber by:

Fennesz, Faith Coloccia (inc. bonus track), Richard Chartier, Philip Jeck, Orphax, Olivia Block, Jiyeon Kim, Dahra, Daniel Menche & Marta de Pascalis [UK, USA, Senegal, South Korea, Italy, Netherlands, Austria]

Liminal organ

Immersive and compelling, Mutatis Mutandis expands the organ repertoire into new territory, with influences from Senegalese traditional folk music, modern composition, classical organ, pop and electronic music.

The 4 colour plates by the art historian and author Sydney Russell show cave art from 4 to 6 thousand years ago. Taken in Brazil on one of several expeditions she made around the world, these highly emotional works reveal the sophistication and ageless quality of the imagination of the peoples who were expressing themselves at this time; they have been slow to reveal their beauty to us, having survived all weathers; their acoustic soundtrack unfolds slowly, submersive and involving.

Sydney Russell writes: “These photographs were taken in 1976 in Brazil. We eventually obtained minimum radio carbon datings for levels covering the paintings from approximately 3750-2500 BCE. They originate from the rock shelter sites of Sucupira, (Lagoa Santa) and Lapa do Cipo (Santana do Riacho), near Minas Gerais and Quadrillas (Montalvania), Bahia.”

Spire 8 – Charles Matthews “Live at Chichester Cathedral”

The 19th Spire took place on 7th September 2019 at Chichester Cathedral, and was produced by Iklectik. These tracks, all performed by Charles Matthews, were recorded by Isa Ferri of Iklectik and mixed by Jeff Ardron (Saint Austral Sound), to whom grateful thanks are due.


Photo: Jon Wozencroft

The 19th Spire took place on 7th September 2019 at Chichester Cathedral

IKLECTIK presents Spire live

Programme – 8 to 915pm:

*”Estampie”, from the Robertsbridge Codex
Claire M Singer – “Wrangham”
The Eternal Chord l
*J.S. Bach: “Pièce d’orgue” (Fantasia in G major)
Claire M Singer – “Diobaig”
Claire M Singer – “Dhachaigh” *World Premier*
The Eternal Chord ll
*Nicholas Scott-Burt: “Keep Silence”, from Paraphrases
*Deszo Antallfy-Zsiross – “Sketches on Negro Spiritual Songs”
Claire M Singer – “Solas”
The Eternal Chord lll
*Muffat: “Ciacona”
*Saint-Saëns (arranged for organ solo by David Briggs) – “Finale”, from Symphony no. 3

*played by Charles Matthews

The 18th Spire took place on 6th April 2019 in Athens


Charles Matthews
Claire M Singer

& The Eternal Chord

In its ninth year, Borderline, the most adventurous music festival in Athens, returns more timely than ever. The Onassis Stegi, in collaboration with the Irtijal Festival of experimental music in Beirut, brings us the most contemporary and avant-garde sounds of the international musical stage, in concerts, dj sets, screenings, and talks.

German Evangelical Church, Sina 66, Athens
8-10PM 6/04/19

Spire 7 – The Eternal Chord – Semper Liber

There is no “correct” way to play the organ. Of course, there are strong and long traditions of how it should be played and by whom, but in the realm of time these rules count for nothing. The organ has the greatest frequency range of any acoustic instrument, and this unique aspect grants great freedom to the players. ALL STOPS OUT!!!

CD – 4 tracks – 78:40
Release date: tba

Track listing:

1. Aeternus
2. Perpetuum
3. Immortalis
4. Semper Liber

The Players: Marcus Davidson Hildur Gudnadottir Mike Harding
Charles Matthews Clare M Singer Maia Urstad Anna von Hausswolff

Performed on the 1893 Schlag & Söhne organ at Johanneskirken, Bergen; the 1967 Karl Ludwig Schuke organ at Passionskirche, Berlin; the Peter Bares organ, inaugurated in 2004, at Kunststation St Peter, Cologne; the 1885 ‘Father’ Henry Willis organ at Lincoln Cathedral; the 1877 ‘Father’ Henry Willis organ at Union Chapel, London; the Rieger organ at St. Stephan’s Church, Mautern & the 1897 Johnson & Son organ at St. Saviour’s Anglican Church, Riga between 2009 and 2016

The art historian and author Sydney Russell writes: “These photographs were taken in 1976 in Brazil. We eventually obtained minimum radio carbon datings for levels covering the paintings from approximately 3750-2500 BCE. They originate from the rock shelter sites of Sucupira, (Lagoa Santa) and Lapa do Cipo (Santana do Riacho), near Minas Gerais and Quadrillas (Montalvania), Bahia. Please refer to the website for more information.

Artwork by Philip Marshall
Compiled and edited by Mike Harding
Mixed at the Völlhaus
Mastered by Mark Van Hoen
Photography by Sydney Russell

P&C 2018 Spire
Published by Field Music

Order The Eternal Chord – “Semper Liber” [CD + Download] in Bandcamp

The Organ: A Modern Classic

Premiering exclusively via The Wire, the documentary looks at the use of the organ in contemporary music

The Organ: A Modern Classic aims to highlights the various ways in which artists such as Squarepusher, Anna Von Hausswolff and Oneohtrix Point Never are adapting the instrument for contemporary music.

Created by music, art and culture platform Cone Magazine, the documentary “explores the social and political barriers that artists and composers may face when trying to work with the organ, and delves deep into the anatomy of the instrument”.

The Organ features contributions from award winning composer Craig Armstrong, organist Jamie McVinnie, the London Contemporary Orchestra, composer/sound artist Bill Thompson, and founder of the Organ Reframed festival and composer Claire M Singer.

Watch the documentary here

Meukusma Festival | Eupen, Belgium 8-10.09.2017

The Friedenskirche, a church in Eupen, hosted to the “Touch Presents…” program, featuring two organ concerts by Claire M. Singer and The Eternal Chord and a live performance by Philip Jeck. Claire M. Singer’s 2016 debut Solas spans 14 years of her work in acoustic and electronic composition. Together with Mike Harding, she is also a member of The Eternal Chord, a project that focuses on the sonic power of the organ. Philip Jeck started working with record players and electronic instrumentation in the 80s and is renowned for his soundtracks, music for theatre and dance companies and solo concert work.

Spire at Union Chapel | NTS Radio 2 14th December 2016

Tonight at 10pm London time… broadcasting recordings made at Union Chapel on 8th October 2016, featuring Philip Jeck, Simon Scott, Charles Matthews, Claire M Singer & The Eternal Chord


Organ reframed revisited

You can read reviews and hear podcasts of Organ reframed:

Pipe dreams: the line of best fit

NTS2 Radio with Simon Scott & Mike Harding

rte hosted by Luke Clancy

Spire live on NTS Radio | 7th October 2016


The 17th Spire took place on 8th October 2016 in London

The 17th Spire took place at Union Chapel, London on 8th October 2016 as part of the ORGAN reframed Festival (7-9 October 2016)

The Union Chapel Organ Project and Touch are proud to present…

Union Chapel, London
700pm – 1030pm Saturday October 8th 2016

Spire: organ works past present & future performed by

Charles Matthews (organ)
Philip Jeck (turntables)
Fennesz (organ & electronics)
Simon Scott (Electronics)
John Beaumont (Tenor)
Claire M Singer (Organ & electronics)
The Eternal Chord (Organ)

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The 16th Spire took place on 26th February 2016 in Cambridge

The 16th Spire took place on 26th February 2016 in The Unitarian Church, Cambridge

Recordings now available on Bandcamp


The Unitarian Church
5 Emmanuel Road


John Beaumont
Marcus Davidson
Philip Jeck
Charles Matthews
Simon Scott
Claire M Singer
The Eternal Chord

This concert was recorded and the entry fee guarantees you a free copy of some of the recordings [wav files]. Which tracks we make available will depend on the quality and suitability of the recordings, of course…

More info and tickets and for full progamme click “continue reading…” below

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Spire 6 – The Eternal Chord “Orga”


Live 6.xi.15 Kunststation St Peter,  Jabachstr. 1, Köln, Germany. Recorded by Achim Mohné. Peformers are Claire M Singer & Mike Harding. With thanks to Georg Dietzler

Now available on Bandcamp

TTW#70 – Spire “Live in Bergen”

Recorded on 1st November 2013 as part of Bergen Kirkeautunnale, Norway

Featuring BJNilsen & John Beaumont’s Black Death, a new project using voice (tenor) and electronics; Charles Matthews’s repertoire includes performances of organ pieces by Arvo Pärt, Giacinto Scelsi and Johan Sebastian Bach; Marcus Davidson’s Ananta is released for the first time, and Spire regulars The Eternal Chord and The Spire Ensemble also perform.
This cassette will be released in July 2014

Liner notes:

A1: Charles Matthews plays JS Bach “Komm, Heiliger Geist”, A2: Charles Matthews plays Giacinto Scelsi “In Nomine Lucis”, A3. BJNilsen and John Beaumont “Black Death”
B1: The Eternal Chord “The Eternal Chord (Live)”, B2: Marcus Davidson “Ananta”, B3: The Spire Ensemble “Live In Bergen”, B4: Charles Matthews plays Arvo Pärt “Pari Intervallo”

Recorded on 1.11.13 as part of Bergen Kirkeautunnale 2013, with thanks to Kjetil Almenning and Møyfrid Fuglestad. Published by Touch Music [MCPS] except – A2: Editions Salabert/G Ricordi & Co.; B4: Universal Edition.
Illustration – Art I Cho.

This cassette is an aspiring product of The Tapeworm – “give the peasants champagne and they still want dirty water” TTW#70, copyright 2014 The Tapeworm.


This cassette item is now sold out

Spire 5 – Marcus Davidson “The Passing”

2 tracks – FLAC Audio download – 18:31

Track listing and notes:

1. The Passing 9:14

Recorded at St. Stephan’s Church, Mautern, Austria as part of Spire live at The Kontraste Festival, Krems, 11th October 2013.

Marcus Davidson – Organ & Electronics

EVP samples by Raymond Cass from “The Ghost Orchid – An Introduction to EVP” [PARC CD1]
NASA recording of the winds of Saturn from The Voyager Spacecraft
Natural VLF Radio Phenomena of the Magnetosphere and space weather recording by S.P. McGreevy
With thanks to Charles Matthews

2. Sacred Space 9:17

Recorded at PassionsKirche, Berlin, Germany as part of CTM12 Festival, 5th February 2012
Marcus Davidson – Electronics
Charles Matthews – Organ
Part one: Notations from the NASA recordings of the Rings of Uranus
Part two: The Sun dawning over the dark rings of Uranus

Buy Marcus Davidson “The Passing” [FLAC download] in the TouchShop

Spire 4 – Pietro Riparbelli “4 Churches”

320kbps MP3 – 4 tracks – 42:09

Mastered by Giuseppe Verticchio

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Spire 3 – Daniel Menche “Hover”

320kbps MP3 – 2 tracks – 27:36

2 tracks – 30 piece teenage choir and organ

Track Listing:

1. Hover 19:29
2. As Is 8:07

As part of the Spire project, Touch is pleased to announce this download-only release by

Daniel Menche.

“I work at a high school library here in Portland, Oregon. Once a week there’s a choir class and occasionally I will poke my head in to hear the fantastic sounds of the kids singing. The singing can be a bit rusty mainly due to the shyness factor in their young voices and the reluctant learning of the music notation from the choir teacher. I really liked hearing that rough-awkward singing from the kids and it remind me of myself being in a choir as a little kid and remembering how much I HATED IT! Mainly because I didn’t understand music notation… nor did I want to and also I was incredibly shy just like these kids.

Well anyways I’m always thinking of ways to get young folks to have fun with sound and such and also I had an idea to use these fine choir students for a recording utilizing their awkward singing sounds. My strategy for the kids was vowels because every kid knows vowels! A-E-I-O-U and just sing those letters as long as possible is what I will instruct the kids to do. I mentioned to the choir teacher that I will be coming in and taking ten minutes of the student’s time to record them for a recorded composition and the teacher approved with this idea but she was also very confused. How can I be a known recording musician and not know about music notation such as ‘flat C or sharp D’ or whatever that jargon is. I told them… “Don’t worry… kids will have fun and it’ll sound fantastic.” And so I barged into the classroom and hit record on my little recorder and began the vowel singing game with the kids. The sheer state of confusion on their young faces was rather beautiful and the singing was fantastic to my ears. I noticed immediately that they couldn’t get the low sounds very well because well… they’re kids and baritone sounds just aren’t in the picture yet for them. So I utilized a Hammond organ for the bass sounds for the final piece of music titled “HOVER”.

Included is the raw unedited “as is” recording document of myself having fun with the kids and getting sounds out of them for this “HOVER” recording. This raw recording has a charm to it of the kids being confused and having some fun. Teenage cathartic-ism to say the least. The look on the choir teacher’s face when I had everyone screaming in different vowels was priceless. I can see her facial expression screaming at me “Music notation blasphemy!!!”… I respond back “Yep, sure is and now look at all the smiles on our kids faces.”

You can preview an extract from this release in the TouchShop.
Buy Hover in the TouchShop

Spire 2 – Enrico Coniglio “Songs from Ruined Days”

320kbps MP3 – 1 track – 45:14
Download-only; a TouchShop exclusive.

Track listing:

1. Songs from Ruined Days

As part of the Spire project, Touch is pleased to announce this download-only release by Italian artist Enrico Coniglio. You can preview an extract from this release in the


Enrico Coniglio is a Venetian musician who focuses his musical research on the representation of the contemporary landscapes. In relation to his studies in urban planning (University IUAV of Venice), his interest is directed towards the loss of identity of places and the uncertainty of the evolution of the urban territory. If his music comes mainly from the ambient genre, mixing a droning guitar with field recordings and digital manipulation, on the other hand he’s just interested to document the landscape, meaning to build his personal catalogue of soundscapes, with a particular reference to the Venetian lagoon.

Over the last year he has collaborated with various musicians including Joachim Roedelius, Arve Henriksen, Oophoi and others, and he has releases and podcasts with Psychonavigation, Glacial Movements, Cronica electronica and Laverna net. You can hear a previous release “Sapientumsuperacquis” on Touch Radio.

The present release is a long-drone track mostly based on recordings made in Porto Marghera, a big industrial coastal area on the mainland of Venice, Italy (Winter 2009), now largely on disposal and afflicted by a severe economic and environmental crisis. Part of this work was originally used for a sound work in the “Antares” pavilion of VEGA Park (VEnice GAteway for science and technology) for a photography exhibition as a part of the project “Le nuove vie di Porto Marghera”. Other field recordings were made in Vienna, Austria (December 2009), in an attempt to explore the sacral spaces of the city. ‘Song from ruined days’ is a mix of industrial and liturgical soundscape, a brief journey in the space of a full desolation.

“Enrico Coniglio is among the best kept secrets of the Italian ambient scene”
(Roberto Mandolini, Rockerilla)
“He deals in a warm, soothing blend of guitar drones, field recordings and digital post-production” (Ewan Burke, Cyclic Defrost Magazine)
“Coniglio’s atmospheres, meanwhile, take turns at being ethereal and lightflooded, obscured by clouds, ominous and abstract” (Tobias Fischer, Tokafi)
“Enrico Coniglio creates a series of absorbing ambiences that have a moody enigmatic quality about them – dark, deep pools of sound morphing crackling in places with electrical damage” (Morpheus Music Reviews).
“Coniglio’s multi-varied collection provides a rich and oft-surprising listening experience”
“This is a must have for ambient DJs!”
(Mixmaster Morris)

Buy Songs from Ruined Days in the TouchShop